Curly whammer jammer full#
Curly whammer jammer pro#

He looks so child-like underwater, paddling to the coral to make friends with an eel. I can watch this YouTube footage for hours at a time. There’s a million Dead documentaries, and I’ve gotten hooked on them all, but there’s one recurring scene I can’t get out of my brain: Jerry Garcia scuba diving in Hawaii. The Grateful Dead, “Sugaree (Live)” (1972)

Curly whammer jammer full#

She sings a wispy ballad full of Elliott Smith-style guitar, about two lonely misfits making a soul connection.

Who else can do Jim Morrison’s poetry like Al Green? When Al suggests you “try to set the night on fire,” you’re already reaching for the matches.Įllen Kempner dropped “See a Light” just in time for the quarantine, a song to mellow your mind when the isolation gets under your skin. Sumney dreams about being cotton candy in the mouth of his lover, dissolving on somebody’s tongue, overdubbing himself into a soul choir, somewhere between Radiohead and Prince. Wolf’s intro monologue - “This is a song about L-O-V-E! And if you abuse it, you’re gonna lose it!” - is sheer poetry.Ī jazzy reverie from the Carolina (via Ghana and California) poet. (“Take out your false teeth, mama…I wanna suck on your gums!”) “Musta Got Lost” comes from the whammer-jammer Blow Your Face Out, topping the already-great studio version. Geils Band, “Musta Got Lost (Live)” (1976)Įvery self-respecting band cranked out live albums galore in the Seventies - but nobody gives demented rock-star stage banter like Peter Wolf, the Woofa Goofa with the Green Teeth. When they reopen the karaoke bars, it’s all over for anyone who’s in the room the first time (and probably last time) I sing this sensual ballad. “House with a Hundred Rooms” is a delicately wistful rocker that makes getting lost inside your own imagination sound like bliss. The Chills, “House with a Hundred Rooms” (1987)Īn Eighties guitar classic from the New Zealand indie pioneers. Especially when Stevie, Lindsey, and Christine let loose: “Damn the dark, damn the liiiiight!” Something about their shattered voices soothes our souls at times like these. Is it a coincidence that Fleetwood Mac’s hot-tub heartbreak classic is booming back on the charts at a moment of mass fear and confusion? Ah, no. Knipe recalls sharing a beer in the dorm, singing along with Courtney Love songs, and “screaming our youth away.” Stevie Knipe sings this indie ballad mourning a lost bond between two mates who thought they’d stick together for life. (It absolutely crushes the more famous 1963 one, IMHO.) The Godfather builds a killer call-and-response groove with the crowd, yelling, “Building, is you ready? Because we gonna tear you down!”Ī perfect song for when you’re missing your friends, even the ones you don’t like very much. James Brown - especially Side Two of his 1968 Live at the Apollo, Volume 2. What do you do when you can’t be part of a concert audience? You put on the ultimate live legend, Mr. “Frank Ocean” is her quiet-storm crush confession - you got her thinking about you, just because you remind her of her favorite song on Channel Orange. “This room is ringing in my ears”: too real.Ī gorgeous new love song from 18-year-old Dallas R&B prodigy Kaash Paige, fresh off her debut mixtape Parked Car Convos. “Night Comes In” comes from the Thompsons’ 1975 epic Pour Down Like Silver, with some of his most mind-bending guitar. Even in the Sixties with Fairport Convention, this guy was writing tales for hard times. Something about Richard Thompson’s guitar really hits home right now - his stormy Celtic folk-rock tunes make righteous late-night company during a quarantine. Richard and Linda Thompson, “Night Comes In” (1975)

Curly whammer jammer pro#

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